Essai sur l'esthetique de Descartes by Emile Krantz. This book is a reproduction of the original book published in 1882 and may have some imperfections such as marks or hand-written notes.".

This line has been thought corrupt by most editors, though there is no agreement on the remedy. The Herald is plainly asking why the people at home are despondent: picks up the Chorus's phrase . But as Wilamowitz says, ‘ de populo aut senatu Argivorum accipi non potest’: it can only mean the army at Troy, as in lines 538 and 545. The usual inference is that arparw is corrupt.

The attempts of Verrall and Tucker to discover, without resorting to emendation, a construction for the participles in v. 285 have convinced only their authors. All other recent scholars either postulate a lacuna before this line or transpose it to follow v. 288, if they do not delete it altogether. All alike assume that both participles describe the behaviour of the victim of the underworld powers.

Agathon, in his panegyric of Eros, had maintained that it is good, beautiful, and divine. Socrates begins his elenchus of this claim by pointing out that Eros is relational in character: love is always love of something, desire desire for something. Eros falls in that class of terms later described as ta pros ti, terms which have their meaning ‘toward’ something else. Furthermore, Eros lacks what it loves and desires to possess it: “everyone … who desires something desires what has (...) not been obtained and is not present; his love and desire are set on things he lacks, things he does not possess.” Desire implies privation. Agathon and Plato also agree that Eros is always in love with the beautiful ; as Agathon had earlier said, “the world was fashioned by the gods through love of beautiful things; for there is no love of the ugly.” It then follows that, since Eros is love of what it lacks, it cannot be beautiful or good, and since the gods possess both attributes, it cannot be divine. It is not, however, bad or ugly or mortal, but ‘intermediate’ between those attributes. (shrink)

In these notes I propose to discuss only those passages where I can offer either a new solution or new arguments in favour of a neglected one. Where I am wrong I hope to be told so before my proposals are enshrined in my text.